Friday, February 2, 2024
R.J. MacReady's Drinking Glass
Friday, January 12, 2024
Who Goes There?
It could have imitated a million life-forms on a million planets. It could change into any one of them at any time. Now, it wants life-forms on Earth.
- Excerpt from Blair's Journal
Wednesday, January 3, 2024
Dinner And An Alien Autopsy
Wednesday, January 11, 2023
Thursday, May 19, 2022
Blog: The Original Fan
A few days after production on stage wrapped John Carpenter stood in the doorway of my office. He had just seen a rough assembly of THE THING for the first time, and he wasn't happy. The movie didn't work. Lacking the location footage and many special effects he found the cut to be long, dull, and, above all, lacking in tension - his biggest fear. The early scenes with the men were endlessly repetitive and dragged on forever. Most of the byplay and humor fell flat. The film felt formless and just seemed to drift along, with no one character breaking out of the pack to drive the action...
Click below for an extremely interesting account of how John Carpenter's The Thing used to be something entirely different...
Thanks, Mike! I had NO idea about any of this stuff.
Wednesday, April 27, 2022
Tuesday, March 8, 2022
Tuesday, February 8, 2022
Sunday, January 9, 2022
A Thing Of Beauty
Nobody trusts anybody now.
Tuesday, December 14, 2021
Monday, December 13, 2021
Now Playing: The Thing (Blizzard Mix)
Thursday, November 25, 2021
It Tried To Digest Them. Absorb Them.
It could have imitated a million life forms on a million planets. It could change into any one of them at any time. Now, it wants life forms on Earth.
- The Journal of Blair (THE THING)
Wednesday, November 10, 2021
Monday, May 8, 2017
Wednesday, March 9, 2016
Thursday, September 17, 2015
Greatest. Mask. Ever.
I don't know. Thousands of years ago it crashes, and this thing... gets thrown out, or crawls out, and it ends up freezing in the ice.
Image source.
Thursday, August 13, 2015
Sunday, January 11, 2015
Horror Art
Tuesday, July 8, 2014
Saturday, July 5, 2014
Test Audiences
Been reading about the forgettable prequel/remake of Carpenter's The Thing. About how a boat load of practical effects were cut. Really amazing work, gone.
I found this quote on the awesome Monster Legacy blog:
The Pilot was the Thing perfectly replicating the species of aliens that built the saucer. It was replaced after a screening that apparently confused viewers as to what the Pilot was. It was felt that, since the audience had only been shown iterations of the Thing that were asymmetrical, split open and grisly, to present a creature that looked like it evolved through normal biology was a violation of what had been seen in the 2011 film as well as the John Carpenter film. It was then decided that the Thing in the climax needed to be more ‘Thing-like’. We designed the Sander-Thing as a maquette that was scanned and animated.
Alec Gillis, co-founder of Amalgamated Dynamics
Anyone who saw the remake of The Thing and who remembers that dreadful CG chill-inducing nonsense at the end can thank a test audience. Imagine creating something and then asking your coworkers and family members if they liked it and how would they make it better. It's the bad idea of bad ideas. Reminds me of the time my dad told me I should make all of my props with glowing red eyes, or the time a coworker told me I should build props with wings - though he used the word "figurines."
The test audience should be a tool only. If it's to be used at all.
But here's a more patient view:
I like test screenings. I like to see a movie with an audience of strangers. I think it tells you a lot. It’s very difficult to lie to yourself about certain things. I’m not necessarily convinced about how information is gathered and I don’t think the credence that’s given to it is valid. When you ask a bunch of people to see a film, and then invite them to comment on it and tell them it’s a work-in-progress, they feel bound to offer an opinion. Also, the kind of people who go to test screenings are people that have time to go see a free movie. What they object to is anything that’s unusual about a film. Anything that’s memorable about a movie is often what a test audience will object to because they’re being asked to be experts. They just compare the film they finished watching to all of the other films that they’ve seen. Films that score very high with test audiences generally tend to not be so great. But, there’s a lot of money involved in making movies and it’s a way for people to reassure themselves, who have spent money, and it’s also a way to work out how to market a movie. It’s also a way to really clear up confusions in a film. That’s important. As a filmmaker, it’s important to sit there and feel embarrassed. If you feel embarrassed by something, you cut it.
Andrew Dominik
Text source.
Thanks, Alex, for sending the LINK that got me thinking about this stuff.



















